Portfolio · 2030

Field
Notes

Observations on systems, design, music, structures, and the way people move through spaces.

Urban Design Architecture Engineering Music
41.2835° N · 70.0995° W
Sketchbook — Urban Systems
"

Small adjustments create huge changes. Calm people solve problems faster. The best designed systems often work quietly.

— Grant Prince
Projects

A working collection of builds, refurbishments, sketches, and ideas. Some finished. Some in progress. All of them taught me something.

Refurbishing a 420
Refurbishing a 420
Structures · 2025
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Urban Observation Log
Urban Observation Log
Urban Design · Ongoing
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Systems Sketches
Systems Sketches
Architecture · Ongoing
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Jazz Ensemble
Jazz Ensemble
Music · 2025–26
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Aerospace Reading
Aerospace Reading
Research · Ongoing
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Nuclear — Early Notes
Nuclear — Early Notes
Research · Ongoing
Field Journal · Summer 2025

Observations from the aquarium, the science center, the water, and whatever else catches my attention. One entry per shift. Short, honest, specific.

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How 200 people move through a very small building
The aquarium is tiny. No room for mistakes in the layout. Watching how people navigate it — where they stop, where they speed up, where they bunch up — is a real-time lesson in spatial design. The good exhibits pull you in without announcing themselves.
Urban Design
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What exhibits teach about systems communication
The best science exhibits don't explain — they show. A tank that makes tidal flow visible does more than any label could. The building itself should communicate what's happening inside it.
Systems
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Wind, sail trim, and parametric thinking
Adjusting the jib changes the main. Adjusting the main changes the heel. It's the same logic as parametric design — pull one variable and the whole system responds. You can't tune a sail without understanding the whole boat.
Structures
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Islands as closed systems
Everything on Nantucket has to come in by boat or plane. Water, waste, power, food — you can see the systems. It makes you think differently about how cities work when you can't see the edges.
Urban Design
Notebook

Short entries on things I've noticed, figured out, or am still thinking about. The less finished part of the site — and probably the most honest.

01
What refurbishing a 420 teaches you about systems
Every part you touch teaches you what it does. The rigging, the hull, the hardware — nothing is decorative. Fixing one thing means understanding how it connects to everything else.
Structures
02
Why some public spaces work and others don't
The ones that feel alive were probably designed that way. Quietly, on purpose. Wide enough sidewalks, seating that faces something interesting, shade where people want to stand.
Urban Design
03
Rhythm, timing, and what jazz has to do with engineering
Structure lets improvisation exist. Without the chord changes, the shared vocabulary — there's no freedom, just noise. Constraints aren't the opposite of creativity. They're what creativity pushes against.
Music
04
Calm people solve problems faster
Observed this on the water, in the shop, and in class. When something goes wrong on a boat, panic costs you time you don't have. The sailors I've learned the most from slow their thinking down they don't stop moving.
Observation
05
A marina is basically a living system
Tides set the schedule. Weather sets the agenda. The people who work there move like they've internalized all of it — they don't fight the system, they read it.
Systems
Explore · Architecture

Architecture

I'm drawn to the way buildings quietly direct human behavior — the design decisions nobody notices but everybody feels. A hallway that's a foot too narrow. A plaza that faces the wrong way. A window that arrives exactly where you need light.

I'm especially interested in urban architecture — buildings that belong to a city rather than sitting apart from it. How a building meets the street. How it handles the corner. How it makes the space around it better or worse.

Favorite buildings
Grand Central Terminal, New York — moves 750,000 people without visible crowd control
Oculus, Copenhagen — calm even when crowded
Williamsburg Bridge, Brooklyn — honest, unpolished, every load path visible
Chain Bridge, Budapest — elegant, old, still holding
Hallgrímskirkja, Reykjavík — form following force all the way up
Field Study — Nantucket, MA
Two Towers, Two Problems
Brant Point was built to break. Sankaty Head was built to last. Neither one is wrong.

Lighthouses have been around for thousands of years, and even though we don't really need them for navigation anymore, they're still proof of how much engineering and architecture have shaped the way people move through the world. A lighthouse sounds like a simple idea. Put a light somewhere high so people can see it. But the way engineers have actually solved that problem keeps changing. Fire, then oil, then electric by the 1900s. Every version comes down to what materials and technology people had at the time.

The lighthouses on Nantucket were all built in the more modern era of lighthouse design, the 1700s and 1800s, but even on the same small island, they were built completely differently, because the people building them cared about different things.

Cutaway engineering diagram of the New Eddystone Lighthouse showing interior floors and stonework courses
FIG. 1 — cutaway section, Eddystone Lighthouse
Historic architectural plan and section drawing of a colonial-era masonry tower
FIG. 2 — plan & section, masonry tower
The Sankaty Head Fresnel lens on display at the Nantucket Whaling Museum
FIG. 3 — the Sankaty Head Fresnel lens, Whaling Museum

These first two aren't Nantucket lighthouses — they're reference for how engineers have historically drawn and planned a tower like this: floor by floor, course by course. Every ring of stone in a drawing like this is a structural decision, not just a shape.

Brant Point

Brant Point is a good example of engineering for the actual conditions instead of engineering to last forever. It was the first lighthouse on Nantucket and the second in America, and it was built to be cheap and easy to replace, not permanent. The first version was wood, built in 1746, and it only cost the community 200 pounds, about $80,000 today. That wasn't cutting corners. Nantucket's sand keeps shifting and the weather is rough, so a permanent tower would eventually stop lining up with the harbor entrance, since the entrance itself moves. Instead of fighting that, they designed around it. Brant Point has been rebuilt ten times, and the current version is from 1901, built simple enough to move again if the harbor lines shift.

Add up all ten rebuilds and Brant Point alone has cost the island about $1.04 million. Brant Point wasn't a lighthouse with a flaw. It was architecturally made knowing that it would break. That's a totally different engineering problem than building something to survive forever.

Sankaty Head

Sankaty Head Light is the opposite problem. The problem isn't just how to keep it standing, but also how to deal with the constant erosion that the beach faces. Over the hundred year period between 1900 and 2000, the beach moved about 195 feet, and then lost about 3 feet every year after that. It got moved in 2007 once the lighthouse was 70 feet from the edge, and they moved it 405 feet inland, where it should sit for at least another 100 years.

While Brant Point was built to be destroyed or easily moved, Sankaty was built to last forever. The reason why they were built differently isn't because one way was believed to be better. It's because Brant Point needed to be precise for the harbor lines, while Sankaty was used to warn or guide sailors.

Sankaty Head is also where the Fresnel lens I saw at the Whaling Museum came from. It was installed in 1850, and it was the first lens of its kind in the country to come as original equipment on a lighthouse. Before lenses like that, lighthouses just burned oil out in the open and lost most of the light. A Fresnel lens uses rings of glass prisms to bend the light into one beam instead of letting it scatter in every direction, so one whale oil lamp could be seen more than 20 miles out to sea. That's not really a building problem, it's an optics problem. Someone had to figure out how to bend light on purpose, not just produce it.

The Fresnel lens wasn't just a more efficient way to shine the light. It was revolutionary for guiding sailors, and it helped keep Nantucket a whaling powerhouse for years.

Sketches
Colored pencil sketch of Sankaty Head Light, showing its white tower with a wide red band
FIG. 4 — Sankaty Head, colored pencil
Pencil sketch of Brant Point Light with its footbridge to shore
FIG. 5 — Brant Point, graphite
Questions I'm sitting with
Sketches, photos & models
📸Add photo
📐Add sketch
📁Add CAD model
Explore · Aerospace

Aerospace

Early curiosity. What got me here was realizing how much aerospace and architecture share — both are fundamentally about enclosing space efficiently under load. An aircraft fuselage and a curtain wall system are solving the same problem at different scales and speeds.

I'm at the reading and watching stage. These are notes, questions, and things I've found interesting so far.

What connects this to everything else
Tensegrity — compression and tension in balance, from Buckminster Fuller to SpaceX fairings
Monocoque design — the skin carries the load. True in planes, true in thin-shell buildings
Material science — what aerospace discovers, architecture eventually uses
Efficiency under constraint — both fields do more with less
Field Study — Autodesk Fusion 360
Screwdriver. Bottle. Plane.
First time in real CAD software, taught by tutorials instead of a class.

This was my first time using real CAD software. I didn't take a class for it, I just watched tutorial videos and figured it out as I went. My first two projects were a screwdriver and a bottle. Basic stuff like sketching a profile, extruding it into a solid, adding a fillet so the edges aren't sharp. Small parts, but it's where I learned the tools I ended up using on everything else. After that I found a guide for modeling a plane and decided to build the whole thing, an Air Tractor design, from scratch using the same workflow it walked through.

Before starting to model, I imported images of a plane design to help get a reference point. These were used many times throughout the build, including sketching the fit point splines, the windows, and having a guide for where the wings and fins go. From there I built sketch profiles at different points along the fuselage, the front, the cockpit area, the tail, using circles and curves that matched the canvas underneath. I used the loft tool to create a solid block for the body, or the fuselage, of the plane, and used the fit point splines as the guide rails to get the shape I wanted.

Fusion 360 side profile view of Grant's plane model
FIG. 1 — side profile, front view plane
Fusion 360 top-down view of Grant's plane model
FIG. 2 — top view, wing & tail layout
Fusion 360 three-quarter angle view of the finished plane model
FIG. 3 — finished model, 3/4 front view
Feature tree, left to right: Canvases (plane side / plane top reference images) → Sketches (top and bottom, sides, circle front, circle back, cockpit circle) → Bodies (plane, wing start, wing, landing gear back, spinner)

The wings were simpler, mostly extrude, taking a 2D wing profile sketch and pushing it straight out to the right length and angle. I tapered the extrude, and added other bodies underneath the wing to make the transition from wing to body smoother. The spinner up front started as an extrude from the front, followed by a sketch that followed a circular pattern to cut through and create the cone shape. The actual propeller blades were just a use of the rectangular pattern tool. The landing wheel was a revolve command, and two extrudes of rectangles made the bar.

Because the plane was grey solid metal by default, I used the appearance command to assign colors to each item. Compared to the screwdriver and the bottle, this was the first time I used more than one or two tools to get somewhere. It's the first project where I actually had to plan the order I built things in, not just make one shape and stop.

Questions I'm sitting with
Reading & watching
How Aircraft Structures Work — Lesics
Good starting point. The monocoque explanation clicked for me — once you see it you can't unsee it in buildings too.
YouTube
The Structural Basis of Architecture — Bjørn Sandaker
Bridges structural engineering and architecture. Chapter on tension structures is where aerospace and buildings actually meet.
Book
Notes & clippings
📄Add article
📝Add notes
📸Add diagram
Explore · Structural Engineering

Structural

Structural engineering is where I have the most hands-on experience. Refurbishing a 420 sailboat with my dad was an unplanned course in how structures actually work — not in theory, but with tools, under constraint, with consequences if you get it wrong.

I'm interested in how things hold together. Bridges, hulls, frames, shells. The honest structures where every load path is visible and nothing is decorative.

Structures I keep coming back to
Williamsburg Bridge — industrial, unpolished, every decision visible
Chain Bridge, Budapest — compression arch, 170 years old, still holding
420 sailboat rig — tension and compression in constant negotiation with wind
Fallingwater — cantilever as statement. Structurally risky. Worth it.
The Pantheon — unreinforced concrete dome, 2,000 years old
Questions I'm sitting with
Photos, builds & sketches
📸420 refurb photos
🌉Bridge photos
📐Load path sketches
Explore · Nuclear Engineering

Nuclear

This one started with a single question: how do you design something that has to hold for 10,000 years? No other engineering discipline asks that. The answer turns out to involve geology, material science, structural engineering, and a kind of humility about what future humans will and won't understand.

I'm at the very beginning here. Reading notes and questions, mostly. But it's the kind of problem I can't stop thinking about.

The question that hooked me
"How do you warn people 10,000 years from now not to dig here?"
The Waste Isolation Pilot Plant in New Mexico commissioned a team of linguists, architects, scientists, and anthropologists to design a warning system for nuclear waste that would survive the collapse of any language or civilization we currently know. That's a design problem.
Questions I'm sitting with
Reading & watching
The Long Now Foundation — Nuclear Waste Semiotics
How do you communicate danger across 10,000 years? The design proposals are remarkable — and deeply architectural.
Article
Midnight in Chernobyl — Adam Higginbotham
Not an engineering book but the structural and systems failures are documented in detail. What goes wrong when redundancy is ignored.
Book
Notes & clippings
📄Add article
📝Add reading notes
Add questions
Music

Drums, guitar, jazz ensemble, and 90s rock. Music is the other way I think about systems, rhythm, timing, structure, and the space between notes.

Jazz Ensemble
Joining jazz ensemble this fall as a freshman, playing drums. Jazz is the music I find hardest and most interesting the structure is complex enough that you have to really understand it before you can play around it. Structure is what makes freedom possible.
90s Rock
Nirvana, Red Hot Chili Peppers, Pearl Jam, Green Day. The drumming in that era: Grohl, Matt Cameron, Chad Smith — is what made me want to play drums. Big sounds, no wasted hits. Music that sounds like something was at stake when they recorded it.
Guitar
Playing guitar alongside drums gives me a different relationship to the music, understanding the harmonic structure that the rhythm sits under. The two instruments teach each other things.
Music + Everything Else
Timing matters more than speed. Silence is part of the composition. The drummer's job is to make everyone else sound better. I keep finding the same ideas in music, engineering, and sailing. I think that means something.
About

I'm Grant Prince a freshman from New Jersey, interested in urban design, architecture, engineering, systems thinking, and music.

I refurbished a 420 sailboat with my dad, which taught me more about how things connect than almost anything else I've done. I skipper 420s and spend most summer mornings on the water. I'm especially drawn to how cities and public spaces quietly shape the way people move and interact — the design choices nobody notices but everybody feels.

This summer I'm volunteering at the Maria Mitchell Aquarium and the Nantucket Science Center, and starting to learn CAD.

In school I take honors physics, AP Human Geography, honors algebra II, honors English, honors Spanish, and honors American History. Joining jazz ensemble this fall. I also play tennis.

I've been curious about a lot of things for a long time. This site is where I document what I'm building, noticing, reading, and figuring out.

Awards
World Language Award in Spanish — Fair Haven Public Schools, 2025
Achievement in Social Studies Award — Fair Haven Public Schools, 2025
Interests
  • Urban design & public spaces
  • Architecture & spatial design
  • Structural engineering
  • Aerospace engineering
  • Nuclear systems
  • Music — drums, guitar, jazz
  • CAD & 3D modeling
  • Sailing — skippering 420s
  • Tennis
  • Transportation & infrastructure
  • How cities shape human behavior